Synth nerds rejoice! The first ever international academic symposium on Kraftwerk will take place at Aston University in Birmingham later this month.
‘Industrielle Volksmusik for the Twenty-First Century: Kraftwerk and the Birth of Electronic Music in Germany’, the two-day Kraftwerk Treffen features lectures and discussions on the “cultural-historical origins of the man-machine”, the links between Kraftwerk and German techno and the “cultural studies of cycling”.
Not participating in the recent full album performances at the Neue Nationalgalerie—Former Kraftwerk roboter Wolfgang Flür will be hosting a Q&A session and reading from his memoirs and, while other speakers include Cabaret Voltaire’s Stephen Mallinder (also not participating in live performances under the guise of his former band)—Plus Blitz Club founder and Visage member Rusty Egan..and this is the part of Sprockets where we dance…as the first night will feature a“Kraftwerk disco”.
The conference takes place on January 21-22 in Aston University’s Byng Kendrick Lecture Theatre. See the schedule below and buy tickets are available for £20 (£10 for external students).
Schedule:
Wednesday, 21 January 2015
9.00 Registration
9.30 Stephen Mallinder (Brighton/Cabaret Voltaire): Kraftwerk: Modernity and Movement
10.15 David Stubbs (London): The Archaeological Years: Kraftwerk before Autobahn
11.00 David Pattie (Chester): Ralf und Florian, Krautrock and Germany
11.45 Nick Stevenson (Nottingham): Cabaret Voltaire and Dada Modernity
12.30 Concluding discussion
13.00 Lunch
14.00 Melanie Schiller (Groningen): Fun Fun Fun on the Autobahn: Kraftwerk Challenging Germanness
14.45 Hillegonda Rietveld (London): Europe Endless: Geopolitical Retro-futurism?
15.30 Uwe Schütte (Aston): We Are the Robots! On the Cultural-Historical Origins of the Man-Machine
16.15 Tea/Coffee Break
16.30 Wolfgang Flür (Düsseldorf/ex-Kraftwerk): I Was A Robot. Reading, panel discussion and Q&A
19.00 Kraftwerk Disco @ The Electric Café
Thursday 22 January 2015
9.00 Pertti Grönholm (Turku): Nostalgia For The Modern. Re-Imagining the Past Futures in the Concept of Kraftwerk
9.45 Johannes Springer (Osnabrück): Kraftwerk and the Cultural Studies of Cycling
10.30 Ulrich Adelt (Wyoming): Moving Up: Kraftwerk and ‘kosmische Musik’
11.15 Tea/Coffee break
11.30 Rusty Egan (London/Visage) presents…
12.15 Heinrich Deisl (Vienna): Searching for Modernity: Socio-historical perspectives on techno music and »das Deutsche«. (Kraftwerk – Wolfgang Voigt – Dopplereffekt)
13.00 Lunch
14.15 Alexei Monroe (London): Trans-Slovene Expressions: Kraftwerk on the Sunny Side of the Alps
15.00 Alexander Harden (Surrey): Kraftwerk and the Issue of Post-Human Authenticity
15.45 Sean Albiez (Southampton):Kraftwerk in the context of the 20th century avant-garde
16.30 Concluding discussion
17.00 Departure
Long recognized as a profoundly influential force in music, Manchester's The Chameleons have left their…
HEAR ME OUT, an exciting new queer ensemble from Bielefeld, Germany, made a striking entrance…
Los Angeles-based act Phantom Sister has announced their debut self-titled EP. This newly minted quartet…
The Shadow Majlis is one of those projects that stands as a powerful example of…
In the late 1980s, São Paulo's Individual Industry quickly carved a niche for themselves within…
It’s time we put an end To your unbecoming ways Language is more slippery than…