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“I Control My Destiny” — Toronto Post-Punk Act Modele Shares Bold Synth-driven Single “Now It’s Mine”

  • March 27, 2026
  • Alice Teeple
Christine Plays Viola – F.I.V.E. (Fear Increases Violent Emotions) Out Now
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In my mind

That I could only want to trust your god

Now it’s mine

I control my destiny 

Toronto duo Modele (aka Chris Huggett and Nathan Wiltshire) deal in confession, and on Now It’s Mine, they turn the act into something closer to a private coup. This is the second release from the new Modele album, Divine Surrender, due later this year, and the title of that record already hints at the tension running through the song: surrender as ritual, surrender as seduction, surrender as the last posture before someone stands up and takes hold of the room.

There is a thin line between reverence and hunger, between submission and self-invention. Modele takes that tension and lets it breathe, building a song that feels devotional at first, then increasingly charged with possession, until the whole piece seems to stand upright under its own severe and shining will.

Now It’s Mine boasts a chorus pitched low enough to rattle the body and guitars rising in long, bent shapes, as though they are reaching for some stained, distant light. Huggett sings from deep in the chest, his voice full of weight and want, carrying the strain of somebody still chasing meaning after the old answers have gone stale. Modele stay with the feeling, press on it, and let it darken without rushing toward relief.

You can hear familiar bloodlines running through the song: traces of The Mission in its sweep, the hypnotic melancholy of Clan of Xymox and Violator-era Depeche Mode in its cool nocturnal drag. Modele understand how to hold elegance and unease in the same frame, and that balance gives the song its real pull.

Now It’s Mine moves like a spiritual mutiny. It begins in devotion, with the speaker bent toward another’s truth, hungry for meaning, willing to surrender everything for a glimpse of the divine. Then the center of gravity shifts. Purity curdles into possession, sacrifice sharpens into self-command, and awakening arrives with its hands already on the wheel. By the end, the song has broken from borrowed faith entirely: heaven is no longer something distant to pursue, but something wrestled down, claimed, and made flesh. Hot!

Listen to Now It’s Mine below and order the single here.

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Alice Teeple

Alice Teeple is a photographer, multidisciplinary artist, and writer. She is not in Tin Machine.

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