Closed off synthetic machinations

Cold, devoid of strain and tribulation

Fluid and fear, a sanguine divination

Wash and repeat, your own limitations

Moody soundscapes, sinister imagery, and deeply evocative vocals emit from Seattle neo-goth/electro-pop duo Belmez Faces. The band’s ominous dream-pop explores the darker corners of life. Named for a paranormal phenomenon in which mysterious faces appear in concrete floors of a home in Spain, their bleak, poetic sound beckons the otherworldly by reinvigorating, reinventing, and recreating the goth aesthetic for the modern era.

In a world of instant gratification, Belmez Faces offer an appealing alternative: thought-provoking, enigmatically layered sound, reminiscent of Pinback, Drab Majesty, Boy Harsher, Cold Cave, and Mogwai. High school teachers by day, multi-instumentalist Royce Thompson and Steve Hilmes (A Thousand) transform into goth overlords during their free time.  Belmez Faces released “Absent Grief”  in 2020. Their first LP, This is the Dark Timeline, was released in June of 2021. With 80’s inspired drum machines and synths supporting Royce’s charismatic presence, the album served as a perfect introduction to the duo.

“A lot of the music is made in the box,” Thompson explained in an interview with The Music Sanctum. “We’re not a “band” per se, and we don’t spend a lot of time jamming stuff out. I hop into Logic and construct a lot of the layers of the song after the bones of it are completed. Oftentimes something will start off as an analogue synth melody or guitar melody and make its way to a MIDI instrument where it can be expressed more to our liking.”

The album opens with the lo-fi cinematic 80s driven crooning of “Dominique”, while “Sinister Blood” brings Tears For Fears-style introspection and melancholia to the moody video directed by Owen Pazokas.

Watch the video below:

“No Tomorrow” is shimmering and funk-driven, conjuring mid 80s Depeche Mode and classic post-punk of the era such as Comsat Angels. While “Over the Line” is angst-laden, distant, and introspective synthwave with a complex and unique structured narrative melody.

“Nightengale” is languid dream-pop meets synth-noir, juxtaposed with gothic-rock vocals via a pop group from Basildon.

Emilio Miguel Torres directed this narrative clip of “Santa Carla”—a song that shivers dark romanticism with its sequenced beats, conjuring the perfect soundtrack for vampirism at a Southern California beach.

Watch below:

“Catatonia”, is a slow-burn drama that unfolds like a film playing in the periphery of a mind lingering between sleep and waking hours. “Kill” the Light” opens with a pulsing EBM and industrial beat, transmuted into dark synth-pop and post-punk bliss, sounding like the chimera of a New Order song half-remembered from a dream.

“Abyssal Gigantism” is a highlight of the album, whose precipitous melody driven by shifting guitar hooks is a work of genius, sounding like if Martin Gore had formed a passion project with artists signed to Korova records and 4AD.

The album’s closer, and title track, “This is the Dark Timeline”, is a drum-driven ritual that descends slowly into a soft veil of guitar accents and sighing synths, haunted in a beautiful decay that gives way to a perfect 80s rock crescendo,

Listen to This is the Dark Timeline, below:

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