Two stars let me tell you we fall
But not in place
I see the blaze
I see the flames
Rosa Feodora, a blossoming German chanteuse anchored in Dublin, summons a windswept swirl of proto-goth and alt-roc melodies with her shadowy new single, I Take What’s Mine. Mysterious in mood yet electrified by force, the track unites dreamy illusions, and grand piano flourishes with cinematic undercurrents and layered vocals. She constructs a choir of her own design, resonating with force. Each note grips the air, exuding tension and triumph as the song marches onward with unwavering determination.
“Have you ever caught yourself wondering whether you deserve what you have in life-or perhaps what you don’t?” she posits. “We’re all haunted by thoughts of remorse and revenge. I Take What’s Mine is my banishing spell because I’m neither a chaser nor someone being chased-I’m a banisher and I take what’s mine.”
Diverging from her earlier release, Walking Home Alone, which championed self-reliance, the poetic I Take What’s Mine delves into the perils of forging a solo route. “I encounter the devil on my way home,” she reveals, embracing the struggle of desire and the instinct to be bold. Surging with intensity, the track underscores Feodora’s determination to claim what is hers. Stark piano chords, smoldering ambiance, and throbbing percussion swirl together in a blaze of conviction, highlighting her journey toward fierce ownership. Feodora paints a defiant portrait of self-possession.
This track depicts a powerful drive to claim what belongs to the speaker, fueled by fiery imagery and unwavering desire. Two figures face disappointment and decide it’s time to flee, but the singer remains steadfast in asserting ownership and dismissing doubts. The refrain highlights a tense push-and-pull between personal ambition and unfulfilled expectations, underscoring lingering questions of identity and control. Hints of Portishead, Chelsea Wolfe, Zola Jesus, Anna von Hausswolff, Sadé, and Nico via The Marble Index stir within these chords, linking the gloomier underbelly of reflection to the bolder edge of empowerment. She proudly claims her place, urging listeners to embrace their darkness and might.
“I make music because only music helps me to overcome life’s mundane struggles,” says Feodora. “Ultimately, we all live inside our own heads, and we all need a soundtrack.”
The self-directed black-and-white film noir music video for I Take What’s Mine reveals a woman perched on the brink: troubled, yet unbowed. This stark cinematic piece follows her playful steps by the salt-sprayed shore and her silent wanderings amid moonlit trees, reflecting the internal storms beneath outward calm. There is exhilaration alongside raw intensity, a primal urge to claim control as the weather flares in tempestuous gusts; then, a hushed interval in near darkness, adorned by flickering candelabras. That interplay of bright spirit and deeper worry creates a stirring mosaic of freedom and fear. The camera lingers on shifting expressions, capturing each fleeting glimmer of jubilation and every fleeting pang of regret. With this piece, Rosa Feodora offers a rousing illustration of determination amid desire, forging an enthralling short film.
Watch the video for “I Take What’s Mine” below:
Listen to I Take What’s Mine below:
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