Editors have announced their eighth studio album, Surface, Echo & Sound, and shared its latest single, “The Rush.” The 11-track record arrives on October 30, 2026, via Play It Again Sam, marking the band’s first full-length since 2022’s EBM, made with Benjamin John Power, aka Blanck Mass. Following April’s “Call It In,” the new single arrives with an official video filmed in Tokyo and directed by Henry Ehara.
Where EBM drove Editors further into electronic weight and industrial motion, Surface, Echo & Sound began with the band stripping the process back. After three albums largely shaped in the studio, they regrouped in the summer of 2025 and returned to the practice-room method of their earliest days in Stafford: facing one another, playing the songs together, trying different arrangements, and allowing the material to change in real time.
Frontman Tom Smith brought a collection of acoustic-based sketches to the sessions, following the pared-down approach of his solo album There Is Nothing In The Dark That Isn’t There In The Light. The band developed them on an unassuming industrial estate in Gloucestershire, not far from Smith’s home.
“It was a very productive summer,” Smith says. “The sun was out for the most part, we were in greenest Gloucestershire, not far from where I live, on this innocuous little industrial estate—it was pretty much the opposite of being in Berghain!”
“The Rush” is imagined as a bar-room conversation between two people drinking, talking about life, and reckoning with its ascents and collapses. At its centre is the temporary shelter found in another person’s company—a recurring theme for Smith, whether that comfort comes from friends, lovers, or family.
Smith plays mandolin on the track, one of the textures giving Surface, Echo & Sound its warmer, more organic core. Guitarist Justin Lockey, who recorded and produced the album, says the instrument is not being employed as a folk flourish.
“It’s not used in a folky kind of way, but it brings a warm element that can spike through anything in the mix,” Lockey explains. “A lot of the rhythms come from the mandolin and the acoustic as much as they do from the drums.”
On “The Rush,” Editors reconnect with the melodic post-punk of The Back Room and An End Has a Start, threading a trace of Johnny Marr-like jangle through the song’s driving groove. The mandolin contributes to that bright, chiming texture, locking with the acoustic guitar and drums beneath Smith’s resonant baritone. When the chorus arrives, it opens into the kind of soaring, cinematic release that defined those first two albums.
Ehara’s video puts that weight directly into the body. A red-haired woman and a man in a bald-headed prosthetic mask travel through Tokyo with a red suitcase between them, veering between dance, argument, support, and collapse. They spill across Shibuya’s famous scramble crossing, ricochet through a green-lit public bathroom, squeeze into lifts and taxis, make a call from a payphone, lie side by side on a bed, and eventually wander into a darkened cinema. There, after watching a fragment of black-and-white Japanese film, they climb in front of the screen and dance inside the projector’s white circle.
Shot with soft grain and handheld instability, the film turns neon streets, tunnel lights, traffic, and closing doors into a succession of thresholds. The suitcase begins to resemble portable emotional baggage, while the performers’ choreography makes intimacy look both romantic and rebellious. By returning to the crossing near the end, the video closes its loop: the city keeps surging forward, and the two figures keep trying to move through it together.
Watch the video for “The Rush” below:
Surface, Echo & Sound will be available on CD, cassette, black vinyl, transparent green vinyl, and an official-store-exclusive blue pearl vinyl, alongside digital editions and merchandise bundles. Editors are also scheduled to play festival dates throughout the summer of 2026 before undertaking a European, UK, and Ireland headline tour in early 2027.
Surface, Echo & Sound is out October 30 via Play It Again Sam. Pre-order or pre-save the album here.
Surface, Echo & Sound Tracklist
- “Surface, Echo & Sound”
- “Call It In”
- “The Rush”
- “Rescue”
- “Shadow”
- “Real”
- “Happiness”
- “Much Love”
- “Butterfly Wings”
- “Seriously”
- “The Hills We Died Upon”
Editors will spend the remainder of 2026 playing festivals and special appearances across the UK and Europe before launching an extensive headline tour in January 2027. The run includes major arena dates at Amsterdam’s Ziggo Dome and Antwerp’s AFAS Dome, followed by a UK and Ireland leg that concludes at Southampton’s O2 Guildhall on March 12.
Editors Tour Dates:
2026
- July 3 — Crystal Palace Park, London, UK
- July 9 — The Warehouse at Villa Park, Birmingham, UK
- July 12 — Cactus Festival, Bruges, Belgium
- July 19 — Splendour Festival, Nottingham, UK
- July 25 — On The Beach, Brighton, UK
- July 31–August 2 — Low Festival, Torrevieja, Spain
- August 7 — Lokerse Feesten, Lokeren, Belgium
- August 8 — Suikerrock, Tienen, Belgium
- November 14 — Inside Seaside Festival, Gdańsk, Poland
2027 — Europe
- January 26 — Le 106, Rouen, France
- January 27 — La Cigale, Paris, France
- January 29 — La Riviera, Madrid, Spain
- January 30 — Auditorio Roig Arena, Valencia, Spain
- January 31 — Razzmatazz, Barcelona, Spain
- February 2 — X-TRA, Zurich, Switzerland
- February 3 — Alcatraz, Milan, Italy
- February 4 — Boćarski Dom, Zagreb, Croatia
- February 6 — SaSaZu, Prague, Czech Republic
- February 7 — Zenith, Munich, Germany
- February 8 — Gasometer, Vienna, Austria
- February 10 — Stodoła, Warsaw, Poland
- February 11 — Columbiahalle, Berlin, Germany
- February 12 — Den Grå Hal, Copenhagen, Denmark
- February 14 — Palladium, Cologne, Germany
- February 15 — Rockhal, Esch-sur-Alzette, Luxembourg
- February 16 — Felsenkeller, Leipzig, Germany
- February 18 — Ziggo Dome, Amsterdam, Netherlands
- February 19 — AFAS Dome, Antwerp, Belgium
- February 20 — Inselpark Arena, Hamburg, Germany
2027 — UK and Ireland
- February 28 — Vicar Street, Dublin, Ireland
- March 1 — Ulster Hall, Belfast, Northern Ireland
- March 2 — O2 Academy Glasgow, Glasgow, UK
- March 4 — O2 City Hall, Newcastle, UK
- March 5 — O2 Apollo, Manchester, UK
- March 7 — O2 Academy Leeds, Leeds, UK
- March 8 — Rock City, Nottingham, UK
- March 9 — The Prospect Building, Bristol, UK
- March 11 — O2 Academy Brixton, London, UK
- March 12 — O2 Guildhall, Southampton, UK
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