Richard Lloyd, the Television co-founder whose wiry leads made Marquee Moon a blueprint for generations of post-punk guitarists, died on Saturday, November 7, at his home in Chattanooga, Tennessee. He was 75. His family said the cause was cholangiocarcinoma, a form of bile duct cancer diagnosed in March. “His loving wife Sheila and his dog Willie Mays were with him at the end,” the family said in a statement to Rolling Stone.
On “Marquee Moon,” Tom Verlaine starts with a repeating chord figure. Lloyd comes in against it, picking out two notes at a time, and Fred Smith’s bass and Billy Ficca’s drums enter in turn. Each part changes the way you hear the one before it. Lloyd takes the first solo after the second chorus, squeezes a few sharp bends into a short break, and gives the song back to the singer. Verlaine stretches out after the next chorus.
By the time Elektra released Marquee Moon in 1977, Television had spent years working out how two lead guitars could share a song. Lloyd told Relix the band could spend a year and a half on a song. His quick, climbing solo on the opener, “See No Evil,” gives the song a shove just as the vocal lets up. Lloyd recalled building much of the arrangement around an octave figure by Verlaine, who received the sole writing credit. Lloyd shared credit on “Guiding Light,” where the slower pace gives his lead room to ring.
Marquee Moon reached No. 28 in the UK and missed the Billboard 200 in the US. Television followed it with Adventure in 1978 and broke up that year. “I learnt all the wobbly guitar sounds you hear on the Bunnymen records from this,” Echo & the Bunnymen guitarist Will Sergeant told The Quietus of Marquee Moon. Gang of Four and Sonic Youth also cited Television as an influence. [9]
Lloyd had been writing songs of his own while the band was still together. He took them to Bearsville Studios in Woodstock, New York, for Alchemy, his 1979 solo debut. He wanted to make a more personal pop record and brought Fred Smith along on bass. He later recorded Field of Fire in Sweden.
Lloyd’s ear for where a guitar should answer a singer served him well with Matthew Sweet. On Girlfriend (1991), he played the solos on “Divine Intervention” and “Evangeline.” Sweet recalled that the two took turns with the same Jazzmaster on “Evangeline,” with Sweet playing the recurring figure and Lloyd answering it before taking the solo. Lloyd returned for Altered Beast and 100% Fun. He also played on Meet John Doe, the solo debut of X’s bassist and singer.
Lloyd returned to Television for its self-titled third album in 1992 and played with the band on and off until leaving in 2007. Two years later he released The Jamie Neverts Story, an album of Hendrix covers that paid tribute to both Hendrix and Turner. He published his memoir, Everything Is Combustible, in 2017 and released The Countdown the following year.
At Baker Falls in New York City on January 23, 2026, the Richard Lloyd Group played “Alchemy” alongside Television’s “Elevation” and “Friction.” Lloyd had left the old band’s songs out of his sets for years. He spoke to Guitar World that January about what he’d set out to do with Television. “I wanted to make a dent in rock history. That was my goal, and that came true.”
Lloyd’s survivors include his wife, Sheila O’Keefe, and his son, Dylan.
