Image
Bands

To Absent Friends – San Diego Post-Punk Trio The Slashes Debut Poignant Single “Limo Tint”

Tapping into the revolutionary spirits of rock and roll luminaries like Elvis Costello, The Rolling Stones, Elton John, and the new wave quirks of The Cars, Split Enz, and The Tubes, San Diego “Border Goths” The Slashes carve out their niche in the post-punk landscape with a distinctly modern twist. Their latest anthem, “Limo Tint,” changes up their usual hi-octane sound and plods slowly in a more contemplative, dirge-like pace.

The genesis of Limo Tint lies in the profound sorrow and void left by the passing of a cherished friend, a pain that is both deeply personal and universally understood. This track stands as an indelible mark left by those we’ve lost, encapsulating the tumult of emotions that accompany such a loss. The haunting melodies and the solemn cadence of the song mirror the complex layers of grief as a spirit leaves for the next realm, serving as a cathartic outlet for the band members’ raw, unfiltered emotions. Limo Tint transforms their anguish into art, offering a poignant tribute to their friend’s memory, and in doing so, they find a semblance of solace and a way to keep their friend’s spirit alive within the notes and lyrics.

“Her passing really affected me, it was written in her perspective, she was saying goodbye,” reflects vocalist Esteban Rene.

Captured at the vibrant Suplexaudio, the recording and mixing magic for Limo Tint was conjured by Manny Nieto alongside The Slashes, with the mastering finesse provided by Dave Gardner.

In 2015, The Slashes, featuring Esteban Rene on guitar and vocals, Beto Bautista on bass, and Carlos Robles on drums, debuted with a self-titled album. Produced by Alan Sanderson, known for working with The Rolling Stones and Elvis Costello, the album showcased their raw, adrenaline-fueled sound. Embracing a unique identity, the trio dubs their sound “Border Goth,” a moniker that hints at their dark, edgy aesthetic and geographical influences.

The Slashes’ debut album earned critical acclaim and a Best Rock nomination at the San Diego Music Awards. They’ve since rocked Southern California, playing at renowned venues like Santa Ana’s The Observatory, LA’s Rainbow Bar, and San Diego’s The Casbah.

  • March 8th at Tower Bar San Diego
  • March 22 Viper Room LA

Follow The Slashes:

Alice Teeple

Alice Teeple is a photographer, multidisciplinary artist, and writer. She is not in Tin Machine.

Recent Posts

  • Art

Darkwave Trio Corlyx Colour Outside The Lines in Their New Single “Zombie Kid” — Plus Announce New Album “Purple Pain”

Darkwave trio Corlyx is a band that boldly colors outside the lines of traditional genre conventions, redefining the contours and…

8 hours ago
  • Art

French Synth Act Minuit Machine Returns With the Video for Their Resilient New Single “Hold Me”

They way they tore me apart Like I’m a corpse they wanna ditch They way they sold me for parts…

10 hours ago
  • Bands

Ballerinas Twirl in the Video for Los Angeles Post-Punk Artist Indiana Bradley’s Luminous New Single “Silent Moon”

It is a quiet devastation, a weight that presses without end. The realization unfolds not in a sharp moment but…

1 day ago
  • Song Premiere

Karolina Bnv Reimagines Classic New Beat with “Germany Calling”

In the history of new beat, there are few more memorable samples than "Germany calling." Taken from a Lord Haw-Haw…

2 days ago
  • Bands

Stella Rose Debuts Video for Smoldering Alt-Rock Anthem “HOLLYBABY”

Today, New York City's rising singer-songwriter Stella Rose drops her latest single and lyric video for HOLLYBABY, the title track…

2 days ago
  • Bands

Kim Deal Serenades a Flamingo in Her Surreal Video for “Nobody Love You More”

Perfect hosts and room ghosts shout I don't care what they say They can fight it out I mean to…

2 days ago
Sticky Footer Banner with Close Button