Categories: Classic Albums

The Cure | Three Imaginary Boys

On May 8th 1979, The Cure released their debut album, Three Imaginary Boys. The record was a collection of material from the band’s Malice and Easy Cure days playing at the Rocket as early as 1976 and 1977 (such as “Meathook”), but ultimately well known featuring the classic Cure songs “10:15 Saturday Night,” “Fire in Cairo,” and “Grinding Halt”.

Three Imaginary Boys features the only Cure song not sung by Robert Smith, which is a cover of Jimi Hendrix’s “Foxy Lady”. The vocals in this case provided by original bassist Michael Dempsey (who would go on to join The Associates and then later form Presence with Gary Biddles and Lol Tolhurst).

Three Imaginary Boys did not include any of the singles released by the band at the time, such as their debut single “Killing An Arab”, or “Boy’s Don’t Cry”, and “Jumping Someone Else’s” train. These three songs would later be included on the US compilation album Boy’s Don’t Cry, whose artwork reflects the pictogram from the back of Three Imaginary Boys for the song “Fire in Cairo”.

There was, however, a music video released for the album track “10:15 Saturday Night”, a song which was originally used as a b-side for “Killing An Arab”, that utilized live footage of the band.

The album’s artwork much to the displeasure of the band was insisted upon by their record label Fiction’s boss Chris Parry, featuring a lamb, a fridge, and a vacuum cleaner, alluding to each household object representing a member of the band in interviews with journalists. Of course, according to drummer Lol Tolhurst in his memoir Cured: The Story of Two Imaginary Boys, nobody wanted to be the fridge!

Upon receiving a bad review of the album by  Journalist Paul Morley, a writer with a strong associating to Joy Divison, The Cure took to a John Peel Radio Session to rework the song “Grinding Halt”, a song referred to by the NME contributor as “insubstantial froth”, into the biting jab “Desperate Journalist”.

“It’s just that in 1979 people shouldn’t be allowed to get away with things like this, I say!”

Hidden Track: The album infamously a final instrumental called “The Weedy Burton”.

post-punk.com

From the Editor at Post-Punk.com

Recent Posts

Listen to the Brooding Atmosphere of Portuguese Darkwavers Decline and Fall’s “Gloom” EP

Bleak Recordings is delighted to introduce Gloom, the inaugural EP from Portuguese dark wave band…

4 hours ago

Listen to Krakow-based Post-Punk Project Mekong’s New Album “Danse Danse” — Plus Interview

We succumb tonight It’s the funeral of hearts This misery will vanish tonight Mekong is…

5 hours ago

NYC Dream Pop Act Mahogany Debuts New Single “A Scaffold,” and its B-Side “Polyvalence”

Non-being of limitation Empty of being, empty abstractions Conditioned by transcendence Extra extrapolations Today, the…

5 hours ago

SoCal Post-Punk Outfit Head Cut are Pursued by Unseen Forces in the Video for Their Tempestuous New Single “Red Cloud”

what you don't know what you can't see red cloud is calling stalking watching hypnotizing…

6 hours ago

The Joy of Elephant Explores the Perils of Loving Someone who Exudes Chaos in “Walk Through Flowers”

The Joy of Elephant has trampled through our aural garden once again with the project's…

7 hours ago

Swedish Post-Punkers Isolated Youth Preview Video Clip for Spectral New Single “Ghost Town”

In isolation, we're like moths We try to find our way out Isolated Youth's Ghost…

7 hours ago