Parthenogenesis
Be your own man
Somebody’s got to do it
In the hidden recesses of nature, certain creatures challenge our expectations by reproducing alone, without the need for a partner or precedent—a wondrous phenomenon known as parthenogenesis. This extraordinary act of self-generation illuminates the profound beauty of solitary creation, where life rises in subtle defiance of convention, beckoning us to reflect on our own potential for reinvention as we emerge from the shadows of solitude.
Architrave beautifully encapsulates this theme of exquisite isolation in their latest audiovisual venture. Their captivating song and video, “Parthenogenesis,” transforms solitude, self-creation, and quiet rebellion into an evocative meditation, seamlessly aligning with the lush textures of their fourth album, “Panic Joy.” Set against the striking yet comforting symmetry of the Philip Exeter Academy Library—an architectural marvel crafted by the visionary Louis Kahn—the visuals elevate the contemplative experience of vocalist and producer Jennifer Maher Coleman, inviting the audience into a world of introspection and artistry.
Navigating through quiet corridors bound with accumulated wisdom, Jennifer Maher Coleman ventures into the mysterious shadows of the woods on a surreal quest to confront her inner demons. Along her journey, she is guided—though subtly—by bassist Paul Coleman, who appears as a ghostly presence, offering telephones as symbolic vessels. Each interaction with these devices feels ritualistic, highlighting the poignant and often confusing attempt to reconcile her internal landscape with the external world.
With each shedding of traditional symbols of femininity, an intricate narrative unfolds: subtle yet powerfully transformative, hinting at rebirth and liberation found in absolute solitude. The visual poetry of the video dances gracefully along the edge of absurdity, its imagery tinged with gentle mysticism and metaphor, an exploration of what it truly means to exist autonomously, deeply, and authentically. Parthenogenesis resonates as an allegory of silent rebellion and poetic renewal, life quietly and defiantly emerging from isolation, akin to a whispered invocation carried gently through an empty cathedral.
Lyrically sparse yet richly layered in emotional resonance, Parthenogenesis echoes the rhythmic precision of LCD Soundsystem, the sophisticated minimalism of Grace Jones, Laurie Anderson’s experimental nuance, Portishead’s enigmatic elegance, and the melodic gravitas reminiscent of New Order. Architrave continues to deftly weave their fascination with architectural aesthetics into their profound lyrical explorations, creating an audiovisual experience that is both cerebral and warmly inviting.
Watch the video for “Parthenogenesis” below:
Architrave’s new album, Panic Joy, thoughtfully navigates the tension between sustaining gratitude and engagement amid societal turmoil and personal disappointment. Tracks like “Autofill” delve into the perils posed by AI, while “Unconditional Love” wrestles with the anxiety of seeking acceptance. In “Legacy,” the band contemplates the fleeting nature of creativity and artistic expression. “Seen Enough” acknowledges the cruelty inherent in humanity yet persists in celebrating the precious gift of existence. The title track, “Panic Joy,” vividly captures the ecstatic wonder of witnessing a total solar eclipse, reflecting how such transcendent moments rekindle our capacity for awe.
The cover artwork, Bassam Geitani’s Spirale d’or I, elegantly channels the radiant magic of the eclipse.
Panic Joy is out now. Order Here
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