In 2019, a serendipitous encounter brought together two visionaries in the realm of dark sonic artistry. Brody Lowe, a visual artist whose talents span music videos and video game design, found creative synergy with Jeremiah J Gonzales, a producer with a sharp ear and a distinctive vision. From this meeting, Redder Moon emerged—a trio crafting a moody yet radiant fusion of darkwave and synthpop. Drawing on the avant-garde sensibilities of post-punk, their sound is a luminous blend of haunting guitar lines, vintage synthesizers, and ethereal vocals, echoing like ghostly murmurs in a shadowy midnight corridor.
Endless Lullaby, their newest single with Gonzales as the frontperson and sole songwriter, sets the stage for the forthcoming LP, If You’re Falling, Dive, due out in Spring 2025. The song delves into themes of vice, self-sabotage, and the solace we try to find—even if it’s fleeting—during those moments of surrender. The band likens these confessional melodies to nightly lullabies we sing to ourselves, encouraging temporary comfort over more difficult, sustainable solutions. In this sense, Endless Lullaby is a cinematic corridor of pulsing drum pads, moody synths, and a bittersweet vocal that straddles the line between a monastic chant and one of Chris Isaak’s signature croons. A carefully placed guitar riff heightens the sensual tension, further thickening the track’s velvet darkness—like it was plucked straight from a passionate moment from an ’80s film soundtrack.
The accompanying black-and-white video underscores the track’s evocative undertones. We see our protagonist traversing a secluded woodland, eventually arriving at an outdoor stove. Flickers of golden flames—the sole burst of color—pierce the monochrome setting, as if to hint at the faint glow of redemption burning within a troubled mind. The result is a haunting, introspective visual counterpart to Redder Moon’s ambient darkness.
Watch the video for “Endless Lullaby” below:
This preview of If You’re Falling, Dive, “Endless Lullaby” captures Redder Moon’s drift into the shadowy corners of electronic-laced rock—a place where minor-key melodies envelop personal confessions. Filmed, directed, and edited by Brodie Rush, with additional production and direction by Jeremiah James Gonzales, this visual piece was shot on location at Temple Room Studio and the House on The Hill in Kansas City, Missouri. The Los Angeles/Kansas City-based band plans to spend 2025 touring and unveiling singles in anticipation of the record’s release, inviting listeners deeper into their mesmerizing, nocturnal world.
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