Disorder has been
Of failing mind
The shot rings out loud
Six-hundred times
Darkwave outfit The Todds, formed in San Diego in 2020, presents a sizable strength in gothic-tinged delights. Their aim is to produce analogue music utilizing retro technology, particularly synths produced before 1990.
Their latest offering, Orwellian, is a collection of brooding, deeply political dirges, just this side of terrifying.
The album heavily borrows inspiration and style from the post-punk OGs themselves: Joy Division, The Damned, with a twist of good old Gary Numan dystopia. Sounding uncannily like Ian Curtis, vocalist Evan Applebaum delivers an emotional wallop with sincere gravitas.
Orwellian opens with the expansive “Just To Sedate”, a number about soul emptiness with shooty lasers and a smattering of Dave Vanian-style vocals in the chorus. “Freedom Is Slavery”, a nod to 1984, takes things to an introspective level; a plodding lamentation of grief. “Gloria” is slightly peppier, despite its bleak lyrics – an ode to Holiday-era Magnetic Fields. “All The Sad Young Men”, a nod to F. Scott Fitzgerald, is more of a disco tempo. The album closes with the horrifying stomp beat of “Final Solution”, which sounds like a lost Joy Division song…down to the overt references to Third Reich fascism.
Overall a great collection of songs – at once both familiar and of the present moment.
Listen below:
Follow The Todds:
I’ve been swimming in an ocean of tears I went swimming in all of my fears And every day is…
Our entire life Was like a spell of beauty and despair This old delusion Hectic with our own selfish thirst…
Yesterday is history And today is just misery So we say "Long live the King" Oh, he ruined everything Hailing…
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