Image
Categories: Bands Covers Uncategorized

Kansas City Post-Punk Outfit Monta at Odds Cover New Order’s “The Perfect Kiss”

Kicking off their tour to Treefort Fest, Kansas City art-rock combo Monta At Odds announces a gorgeous cover version of New Order’s The Perfect Kiss, off the 1985 album Low-Life. 

During the worst of Covid, Monta at Odds kept busy with their annual New Order tribute show in Kansas City and recorded the track during the downtime. “The Perfect Kiss was too much fun to quit playing,” says the band, who decided to add it to their live set as part of the Peak of Eternal Light album release.

Although condensed, the band still keeps true to New Order’s version. The original, a bizarre explosion of synths and chirping frogs, is a delightful exercise in absurdism, self-produced by New Order and launching them into a more experimental realm of later tracks (like Shellshock, produced by Planet Rock mastermind John Robie). Bernard Sumner once told a GQ interviewer, “I haven’t a clue what this is about.” The only logical way to end the song, it seems, was with bleating sheep.

Monta At Odds recorded a studio version to capture the energy of the live performance in a quick session, so as to not overwork the production. “It’s a guilty pleasure for the band and you can feel the excitement in the performance,” they say.

Twenty years after the formation of Monta At Odds, brothers Dedric and Delaney Moore have held down the fort as their sound and lineup has evolved; collaborating with numerous fellow travelers and taking cues from Italian cinema, the avant-garde, and psychedelic disco-funk. For this version of The Perfect Kiss, Mikal takes lead vocals, Dedric and Kenn cover the synths, Lucas and Krysztof provide dual baritone leads, and Matthew adds the extra energy with his live drums.

“The Perfect Kiss” will also appear on Peaked, a new release of remixed and alternate versions of Peak of Eternal Light due in June 2022 via Record Machine.

Follow Monta At Odds:

Alice Teeple

Alice Teeple is a photographer, multidisciplinary artist, and writer. She is not in Tin Machine.

Recent Posts

  • Bands

The Relentless Ticking of the Clock — Deathrock Crooner Daniel Knutz Debuts his Video for “Victim of Time”

Lines on my face tell stories of the years Each wrinkle a reminder of joys and tears I try to…

2 days ago
  • Art

They/Live Returns With Shimmering Art-Pop Gem “For The Pleasure” — New Album “Nature & Structure” Announced

You wanted everything Except the truth Whitney Mower of They/Live has carved a distinct sound she dubs “womb pop,” a…

2 days ago
  • Art

Indonesian Dark Disco Duo Camlann Debut Video for Scorching New Single “Ronny (Burn in Hell)”

Do you think I care and want To please your stupid grotesque fantasies? You hate me wearing suits Just because…

2 days ago
  • Bands

Swedish Industrial Post-Punk Act The Below Debuts Bizzare Mike Coles Created Video for “Tabla Motors”

Fear is spreading like a virus Added to the sum In the distance theres an engine It slowly starts to…

2 days ago
  • Art

Darkwave Trio Corlyx Colour Outside The Lines in Their New Single “Zombie Kid” — Plus Announce New Album “Purple Pain”

Darkwave trio Corlyx is a band that boldly colors outside the lines of traditional genre conventions, redefining the contours and…

3 days ago
  • Art

French Synth Act Minuit Machine Returns With the Video for Their Resilient New Single “Hold Me”

They way they tore me apart Like I’m a corpse they wanna ditch They way they sold me for parts…

3 days ago
Sticky Footer Banner with Close Button