A fresh current in experimental electronic music surges forth under the guise of Inertia Her. This French-American music producer and photographer has swiftly carved a singular space in the underground scene, his work a daring invitation to escape the mundane. He describes his sound as “a bridge to escapism,” and it feels like stepping into a world untethered by convention. His latest offering, the EP Glasgow Dance, is a fascinating deep dive into the human psyche.
Glasgow Dance strides in with a syncopated beat, sharp and deliberate, carrying the unmistakable air of Bauhaus. The bassline broods beneath, its tension palpable, while whispered words drift like a chill wind over unsettling atmospherics. Ghostly synths emerge, their presence both fragile and unnerving, threading through the track with hypnotic precision. The rhythm trudges forward, deliberate and unyielding, as the gossamer synths swirl, weaving unease into every note—a track that feels both grounded and spectral, a march through something uncanny and otherworldly. Alice begins with a gentle step, its percussion bouncing with measured restraint, drawing the listener into its understated rhythm. Hushed vocals hover, each phrase curling like smoke, delicate yet deliberate. It feels like slipping into another realm, where time stretches and the senses sharpen, its sensual pull evoking the brooding elegance of Massive Attack.
Following this, Ceremony delivers an unsettling spoken-word piece, sparse and spectral, its minimal instrumentation conjuring an air of disquiet. The words linger, like echoes in a cavern, each syllable reverberating with tension. The finale, Skins, drifts further into the strange and whimsical. Whispered vocals pair with bubbling synths, atmospheric whooshes, and whistles that dart and dance unpredictably. It’s a track as curious as it is enchanting, closing the sequence with a surreal yet playful flourish. Together, these pieces form a journey that feels fragile yet fearless, intimate yet untamed.
“I create to provoke,” says Inertia Her. “ My tracks are paintings. Abstract and messy, meant to be loved, hated, or leave you confused. Art isn’t about comfort; it’s about reaction.”
Listen to Glasgow Dance below:
Inertia Her’s music is a collision of contrasts, blending electronica, industrial grit, and the raw edge of noise rock. Over the past year, two EPs have emerged, each a testament to his fearless approach to bending genres. Dark-wave moods meet the pulse of alternative rock, laced with the tension of electronic experimentation. Comparable to Section 25, Massive Attack, and Portishead, his work echoes with boldness while remaining undeniably his own—a symphony of rebellion and reinvention that stands apart in its relentless energy and unyielding vision.
His photography stands as a vital thread in the fabric of his artistry, employing unconventional methods to capture and transform his images into something both vivid and elusive. These photographs exude a dreamlike quality, blurring the line between reality and reverie, and serve as companions to his music, inviting listeners to shape their own interpretations. From surreal album covers to striking visuals for magazines and fashion campaigns, his multimedia approach deepens the experience, pulling audiences into a world where sound and vision converge. Inertia Her emerges as an artist whose creativity knows no bounds, melding sight and sound into an evocative union.
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