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A Beatdown in Coney Island — Comet and Taraneh are Two Brutal Darkgaze Brides in their Video for “Bunny”

I like the way your hair falls over your shoulders

But do you like what I’ve done with the place

You think just like me even though I’m much older

Watch the light drain from your face

As we fall from grace

In New York City, Comet emerges as the latest enfant terrible of the nu-grunge/darkgaze scene, transforming her raw, introspective artistry into a full-blown band phenomenon. Her debut EP, Two-Winged, is a tempest of sound—where ethereal whispers escalate into primal screams against a backdrop of relentless guitar riffs and haunting high frequencies that promise to send shivers down your spine and stir the soul.

Taraneh, whose name means “song” in Farsi, perfectly captures the essence of Persian-American artist Taraneh Azar. Operating under this solo moniker, she showcases her prowess as a multi-instrumentalist and producer. With roots in Iran and thriving in New York, her music blends dark elements from various genres. It’s as if rock, pop, and a touch of world music were combined to produce something uniquely compelling. Whether playing guitar, piano, or adjusting settings in the studio, Taraneh Azar is a musical powerhouse, creating rhythms that are both unique and engaging, encouraging everyone to move in harmony with her distinctive beat.

Together, they bring to life the eerie single Bunny, a track that’s bound to send shivers down your spine as it immerses you in the unsettling viewpoint of a prey animal.

Comet’s sharp lyrical prowess unveils the harsh truths of our reality, all viewed through a distinctively female perspective. Bunny is a haunting portrayal of a dark, manipulative encounter, likening the victim to a trapped bunny at the mercy of a domineering predator. The song delves into themes of grooming, perilous power imbalances, and malicious intent, laying bare the complexities of such interactions. The refrain “Just like you wanted” echoes a distorted notion of consent or the imposition of one’s desires onto another, leading to a disturbing climax of control and inevitable collapse.

In a piece orchestrated by New York artist Nat Cherry, the video unfurls as a tableau steeped in grunge aesthetics. It stars Comet, clad in a bridal gown, her countenance etched with melancholy, as she navigates the expanse of the Williamsburg Bridge, shadowed by an uncanny presence in a bunny suit. Taraneh materializes in a similar bridal attire, yet her demeanor suggests a transformation into an entity of self-possession and empowerment. Their journey culminates at Coney Island, leaving the audience to ponder the nature of the denouement—does joy or despair await?

Not since the 1995 film Mallrats has the Easter Bunny taken such a beating, and it feels like just as long since a song this gritty and dark was released.

Watch the video for “Bunny” below:

Comet recently released her debut EP Two-Winged this past fall along with two singles Dirty (featuring Lucy Loone), and One.” Comet Candler takes the lead on vocals and guitars for the project, with Sam Klein and Lea Jaffe adding depth on guitars. The rhythm section is anchored by Grant Lepping on bass and Kevin Jacobsen on drums. The production of the work is a collaborative effort between Comet Candler and Grant Lepping, with engineering handled by Grant Lepping alongside Bailey Kislak. Grant Lepping also took the helm in mixing the tracks. The recording took place at Flux Studios in NYC, with the final mastering touch provided by Justin Termotto.

Order the EP here

Follow Comet:

Alice Teeple

Alice Teeple is a photographer, multidisciplinary artist, and writer. She is not in Tin Machine.

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