Like, like a bulletin to heart
Like the laughter in heaven
Like a telegraph from god
Ladytron reappear with I Believe in You, a song that moves like an invocation, half-sermon, half-celebration. This return arrives in the wake of unexpected renewal. Their early single Seventeen erupted on TikTok, catching a new generation in its teeth, while Destroy Everything You Touch was threaded through Saltburn, sliding Ladytron’s voice into a different cinematic consciousness. That they appear now with new work is less a comeback than a continuation; one of those rare instances where history curves into the present with a peculiar inevitability.
There is a sense of ritual from the first note of I Believe In You, each phrase delivered with a calm insistence, as though the music had been smuggled from some candlelit gathering and poured into the circuitry of a drum machine. Helen Marnie’s voice hovers above the synthetic architecture, steady yet tremulous, guiding the track toward a horizon that feels both radiant and uncertain.
The piece is built on repetition, but repetition as persuasion: a rhythm that circles, intensifies, and compels. It presses forward with the persistence of belief itself: a mantra tapped out on glowing keys. The synths swell in layers, bright and brittle, while the percussion flicks and locks into place, giving the impression of something sacred disguised as nightclub ritual.
The accompanying film, directed by Daniel Hunt, amplifies that sense of compulsion. What begins as a congregation soon tips into delirium: faces painted with light, bodies clothed in strange vestments, gestures sharpening into frenzy in a space that feels like a tent revival on the set of 2001: A Space Odyssey. The red hue saturates the frame like an alarm, and the choreography slips from orderly procession to an ecstatic collapse. Dance becomes devotion, devotion becomes possession. It is an unsettling parable for our age, when conviction so often curdles into collective mania, whether it be organized religion or blindly following a corrupt politician — it’s all the same. We love to fall for the same sweet talk.
Watch the video for “I Believe In You” below:
Ladytron’s history is never far away. From late-millennium Liverpool basements, through the temporary label of electroclash, to their steady rejection of categories, they have been less a band than an atmosphere; one that made cheap instruments sing and made pop feel both mechanised and ceremonial. That quality remains here. I Believe in You feels like both a call and a response: a song that addresses the listener but also answers the doubt of absence, and a reminder that belief, in music as in life, is sustained by repetition and return. Ladytron extend the invitation again, and the spell holds.
Ladytron today also announces their return to the stage with a limited run of UK shows in 2026. They’ll reemerge in their hometown of Liverpool, followed by dates in Manchester and Newcastle.
Ticket presale begins September 10th, general on-sale on September 12th. For more information, go here.
LADYTRON 2026 UK TOUR DATES:
- March 19 – Liverpool, UK @ Arts Club Theatre
- March 20 – Newcastle, UK @ Digital
- March 21 – Manchester, UK @ Gorilla
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